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2014 at The Arts Catalyst

Arts Catalyst's 20th anniversary party (photo: Shiraz Ksaiba)

Arts Catalyst’s 20th anniversary party (photo: Shiraz Ksaiba)

Mixed reviews of 2014 as a year in the media. The Arts Catalyst meanwhile has had a pretty darned good 2014 – our 20th anniversary year – which is remarkable considering the difficult political and economic climate in which the non-profit arts sector is situated. Our projects continued our ongoing artistic and cultural investigations into space exploration, infrastructure, nuclear energy, ecology, polar studies, and ‘epic’ residencies for artists.

We launched our year in January, in the wake of China landing a probe on the Moon triggering fears of mining operations on the Moon, by declaring an artists’ ‘Republic of the Moon’ and transforming the Bargehouse on London’s South Bank into the lunar republic’s Earth-based embassy. The exhibition was a popular and critical success. It included works by Agnes Meyer Brandis, Liliane Lijn, Leonid Tishkov, Katie Paterson, and Joanna Griffin and the Moon Vehicle Group, and an evolving installation and residency by artists We Colonised the Moon (Sue Corke and Hagen Betzwieser). We animated the exhibition with performances, workshops, music, talks, a pop-up moon shop by super/collider and playful protests against lunar exploitation.

Republic of the Moon at the Bargehouse, 2014

Lunar protest, We Colonised the Moon in Republic of the Moon

We Colonised the Moon’s lunar protest, in Republic of the Moon

Leonid Tishkov, Private Moon (installation view), RotM 2014

Leonid Tishkov, Private Moon (installation view), RotM 2014

In June, we brought the spectacular artist road-rail vehicle SEFT-1 to London. SEFT-1 was created by Mexican artists Ivan Puig and Andrés Padilla Domene to explore the abandoned and ruined passenger railway networks of Mexico and Ecuador. Arts Catalyst, in partnership Furtherfield commissioned a new exhibition about their journeys, with video, photographs, objects, and a scale-model diorama of a viaduct ruin in Mexico, which the artists had explored on their travels. The exhibition reflected on how the ideology of progress is imprinted onto historic landscapes through the modern ruin.

SEFT-1 at Furtherfield Gallery, 2014

SEFT-1 at Furtherfield Gallery, 2014

Ivan Puig and Andrés Padilla Domene, SEFT-1 over Metlac Bridge

Ivan Puig and Andrés Padilla Domene, SEFT-1 over Metlac Viaduct


Model of the Metlac Viaduct, 2014

July saw us visit Japan with a group of artists to explore the artistic, societal and political responses to nuclear energy post-Fukushima. In partnership with S-AIR in Sapporo, and curated by Arts Catalyst’s associate curator Ele Carpenter, we organized the Actinium exhibition, which included works by James Acord, Shuji Akagi, Chim↑Pom, Crowe & Rawlinson, Karen Kramer, Cécile Massart, Eva & Franco Mattes, and Thomson & Craighead, which formed part of the Sapporo International Art Festival Collaborative Program and acted as a base for discussions, screenings and field trips to nuclear facilities around Hokkaido, and further afield to Eastern Japan around Fukushima.

Actinium exhibition, Oyoyo, Sapporo, 2014. Photo: Ele Carpenter

Actinium exhibition, Sapporo, 2014. Photo: Ele Carpenter

Temporary storage site for radioactively contaminated topsoil, Fukushima City,2014

Temporary storage site for radioactively contaminated topsoil, Fukushima City,2014

Meanwhile, our curated exhibition Ice Lab: New Architecture and Science in Antarctica, commissioned by the British Council, and featuring some of the most innovative and progressive examples of contemporary architecture in Antarctica, toured from MOSI (Manchester Museum of Science & Industry) to New Zealand’s IceFest in Christchurch and then to Otago Museum, New Zealand.

Princess Elisabeth Antarctica, the first "Zero emission" polar research station in the mist at Utsteinen -Belare 2008-2009

Princess Elisabeth Antarctica, “Zero emission” polar research station, Ice Lab

Torsten Lauschmann, Whistler (in Ice Lab)

Torsten Lauschmann, Whistler (in Ice Lab)

As part of our ongoing investigatory project with YoHa, Wrecked on the Intertidal Zone, we organized workshops in Leigh-on-Sea over the summer months to involve local people and artists in exploring and mapping the changing ecology of the Thames estuary. Wrecked is setting up a network of local people, artists and technologists to explore how local “situated” knowledge of the estuary can be combined with artistic investigations and citizen science techniques to explore and respond to a changing, contested estuary.


Thames Estuary, Wrecked on the Intertidal Zone. Photo: Fran Galardo

Vaping the estuary, Wrecked on the intertidal zone public workshop

Vaping the estuary, Wrecked public workshop. Photo: YoHa

Yours truly, stuck in the mud off Leigh-on-Sea, Wrecked

Yours truly stuck in the mud off Leigh-on-Sea (the reality of being Wrecked on the Intertidal Zone). Photo: Jo Fells

The Arts Catalyst’s 20th anniversary party in October was delightfully celebrated with many friends, glow-in-the-dark cocktails, a moon landing darts game organized by We Colonised the Moon, a whisky tornado by Bompas & Parr, and music by Teleplasmiste and the Pond Scum Light Orchestra.

Arts Catalyst’s 20th party: We Colonised the Moon’s moon landing darts. Photo: Marek Kukula

Teleplasmiste & the Pond Scum Light Show

Arts Catalyst’s 20th party: Teleplasmiste & the Pond Scum Light Show

Kosmica Mexico moved into its third festival in Mexico City in November in partnership with Laboratorio Arte Alameda and the Centro Cultura Digitale, programmed by Nahum Mantra. Artists, scientists, performers, scholars, space explorers, workshop leaders and musicians from Mexico, UK, France, Canada and USA came together to explore the cultural and artistic aspects of space exploration, including Bompas and Parr and super/collider’s recreation and extension of their intoxicating and wildly popular event ‘A brief history of drinking in space’ from Republic of the Moon’ as well as topics such as sex and sexuality in space, and nostalgia for the Earth.

Bompas & Parr's Whiskey Tornado at Kosmica Mexico

Marie-Pier Boucher, Nahum Mantra and Ale de la Puente try out Bompas & Parr’s Whisky Soda Vaporisation Chamber in ‘A Brief History of Drinking in Space’ at Kosmica Mexico 2014

In a series of international “epic residencies” throughout the year, we enabled artist Alistair McClymont to spend several weeks at the Central Laser Facility in Didcot with some of the most powerful lasers in the world, facilitated visits and field trips for six artists and curators to Japan (Revital Cohen, Tuur Van Balen, Ele Carpenter, Jon Thomson, Alison Craighead, Karen Kramer and Susan Schuppli), and supported Kuai Shen’s research in Yasuni National Park, Ecuador. We also advised and supported the Mexican project La Gravedad de los Asuntos, led by Nahum Mantra, which – inspired by The Arts Catalyst’s zero gravity programme (2000-2005) – saw a group of Mexican artists and scientists, including Ivan Puig, Ale de la Puente, Arcángel Constantini, Fabiola Torres-Alzaga, Gilberto Esparza, Iván Puig, Juan José Díaz Infante, Marcela Armas, Miguel Alcubierre, Tania Candiani and Nahum, go to Star City Russia and undertake artistic research in zero gravity.

All that and a new website, our first e-reader, and a map of the Arts Catalyst’s two decades of experimental, trail-blazing projects.

20 years of Arts Catalyst projects

20 years of Arts Catalyst projects

And, towards the end of the year, we said ‘au revoir’ to curator Rob La Frenais, off to undertake new freelance projects (although he will be working with Arts Catalyst on one-off projects in the future) …

HAPPY 2015!!!

HAPPY 2015!!!

Related reading material – for those who want:
Republic of the Moon manifesto
Railways, ruins & modernity blog post (on SEFT-1)
Nuclear Culture blog (Actinium)
and my blog posts on nuclear culture in Japan – Part 1 Part 2
Ice Lab book
Alistair McClymont’s blog (Beam Time residency)
Arts Catalyst Reader Volume 1
A Brief History of The Arts Catalyst (20th anniversary booklet)

Dispatches from the Republic of the Moon


Leonid Tiskov, Private Moon

An artist hand-rears a flock of moon geese as future astronauts; a man meets the moon and stays with her for the rest of his life; the word SHE mysteriously floats across the lunar surface; Beethoven’s Moonlight Sonata bounces off the moon in morse code; artists organise a protest against moon colonisation …

Agnes Meyer-Brandis | Katie Paterson | Liliane Lijn | Leonid Tishkov | WE COLONISED THE MOON | Moon Vehicle

Opening: Thursday 9 January 2014, 6:30-8:30pm
Exhibition: 10 January-2 February 2014, open daily 11am-6pm
Bargehouse, Oxo Tower Wharf, South Bank, London SE1 9PH
Events, including Kosmica Full Moon Party and family workshops, throughout the run. Book now!

Today, China claimed success in landing its ‘Jade Rabbit’ robotic rover on the Moon, the first soft landing there for 37 years. Now China wants to send a human to the Moon. Does this and India’s Mars plans herald the start of a new Asian space race? Back in 2006, NASA announced it would establish a base on the Moon, but this plan was shelved when Obama took over from Bush. Japan and Russia also announced similar plans at the same time.

But why send humans back to the Moon? One argument is that it would be valuable for science, enabling us to study the geology and other conditions of our natural satellite. It’s also been suggested that the Moon could be a valuable base for studying the universe, providing a site for astronomy. Another argument is that the Moon can help to provide the Earth with solar and nuclear power: developing large areas of the Moon into solar farms might enable energy to be beamed back to Earth, or Helium-3 could be mined to use in nuclear fusion. But most arguments for returning to the Moon hinge on its potential use as a ‘launch’ site for expeditions to Mars and beyond, ultimately providing the potential for humankind to leave an endangered Earth.


Moon Vehicle workshops, Bangalore, India

Many have waded into the debate for and against colonising the Moon, but what have artists to say on the matter? From earliest times, artists and writers have imagined journeying to the Moon, although the topic did not become popular until the 17th century with the invention of the telescope. One of the earliest of these stories is by the English science fiction writer Francis Godwin, whose The Man in the Moone (1638) imagines a man flying to the Moon using a contraption pulled by geese. But it was Jules Verne’s visions in his novels From the Earth to the Moon (1865) and its sequel Around the Moon (1870) that directly inspired the Russian space visionary Konstantin Tsiolkovsky and the American Robert Goddard who created and built the world’s first liquid-fueled rocket.


Agnes Meyer Brandis, Moon Goose Colony (2011)

Now that a new space age is dawning, with a new geopolitical dimension, The Arts Catalyst is bringing together a group of artists to re-imagine our relationship with the Moon.

The exhibition ‘Republic of the Moon’, which launches The Arts Catalyst’s 20th anniversary year, will transform the Bargehouse on London’s South Bank into a lunar embassy on Earth, filled with artists’ fantastical imaginings  and playful protests against lunar exploitation. With works by artists from across the globe including Liliane Lijn, Leonid Tishkov, Agnes Meyer Brandis, Katie Paterson, and WE COLONISED THE MOON, and contributions by artists, scientists and space experts, the exhibition mingles personal encounters, DIY space plans, imaginary expeditions, and new myths for the next space age.

Declaring a temporary autonomous zone of the Moon in a small part of London, the Arts Catalyst invites people to come and reflect on the future of the Moon and our relationship with this celestial body that has, for 45 years, held a dual role in our imagination – both as a romantic silvery disc and site of dreams, and as a place of rocks and dust and strategic and scientific possibility. Animating the exhibition and enabling interaction, there will be talks, debates, workshops, a Kosmica full moon party, a pop-up moon shop, and playful protests against lunar exploitation. Hope to see you there.

The first version of Republic of the Moon was co-commissioned and presented by The Arts Catalyst and FACT, Liverpool, in 2011.


Sue Corke and Hagen Betzweiser (We Colonised The Moon): Back in 5 Minutes (2009)

Lunar dreamers: occupy the moon!

Leonid Tishkov, Private Moon

In Tony White’s new short story, Occupy the Moon, commissioned by The Arts Catalyst to mark the opening of our latest exhibition, Republic of the Moon, at FACT in Liverpool, the author contemplates a remonstration against privatisation of the moon, and reflects on “the importance of wit and play in exploration”.

For Republic of the Moon, we invited a number of international artists to create and show works reimagining our relationship with the moon in a new era of aspirations to return humans to the moon.

Liliane Lijn, Moonmeme

Liliane Lijn’s Moonmeme tracks the moon’s phase, with the letters S-H-E projected on its surface. During the run of the show, as the moon’s phase changes, the word will transform according to the relative motions of Moon, Earth and Sun. Lijn’s work references the many female lunar deities through history, and reminds us that it was twelve men who walked on the moon (our forthcoming Kosmica in Liverpool has all-female line-up).

Agnes Meyer-Brandis, Moon Goose Analogue, 2011

In a major new commission, Agnes Meyer-Brandis’ ambitious, enchanting Moon Goose Analogue: Lunar Birds Migration Facility connects us to eleven future astronauts: Neil, Svetlana, Gonzales, Valentina, Friede, Juri, Buzz, Kaguya-Anousheh, Irena, Rakesh and Konstantin-Hermann. These are specially trained “moon geese”, destined to fly to the moon. We meet them via a large complex, control room live-linked to cameras in the geese’s “moon analogue”, a mock lunar landscape and lunar capsule control room set up on the farm in Italy where the birds live. Through captivating film, photographs and installations, the birds’ life story and mission unfolds.

Meyer-Brandis’ piece is inspired by a science fiction story by the 17th century English bishop Francis Godwin, “The Man in the Moone”, about a man who flew to the moon on a chariot pulled by trained geese. Can this tale be real and can it be made in the present day?, wondered Meyer-Brandis. She sourced the eggs of a rare breed of geese from a specialist breeder, incubated them, and imprinted herself on the eleven goslings that hatched as their ‘mother’ and devoted herself completely to them, living with them day and night (even a trip to the toilet by their “mum” triggered much distressed honking), and training them to walk, swim and fly, as well as giving them lessons on space travel. The healthy, well-bonded geese now live in their moon facility in Pollinaria, Italy, awaiting their mission to the moon – or at least expanding their colony. There is an interview with the artist about this work in the Liverpool Daily Post.

Leonid Tishkov, Private Moon

Leonid Tishkov’s charming and luminous photographs, poetry and video work are from his ongoing Private Moon project, a visual poem that tells the story of a man who met the Moon and stayed with her for the rest of his life. Tishkov and his glowing moon have travelled his native Russia and the world together for almost ten years and he dreams of flying with her to the Moon:

“In the upper world, in the attic of his house, he saw the Moon which had fallen from the sky. At first she was hiding from the sun in a dark, damp tunnel and was constantly frightened by the passing trains. Then she came to the house of the man. Wrapping the moon in a thick blanket, he gives her autumn apples and drinks tea with her. When she finally recovers he puts her on a boat and carries her across a dark river to a high bank, where moon pine-trees grow. He descends to the lower world wearing the clothes of his deceased father and then returns, illuminating the way with his private moon. Transcending the borders between worlds via narrow bridges, sinking into sleep, taking care of the heavenly body, man turns into a mythological being living in the real world like in a fantastic fairy-tale.” – Tishkov

The artist keeps his own Private Moon blog which he updates with poetry and images about his travels with his moon.

In Sharon Houkema’s installation M3, the artist uses a simple overhead projector and a bucket of water to conjure a shimmering moon, as if seen through water or hazy cloud.

Andy Gracie, The Quest for Drosophila Titanus

Andy Gracie’s ambitious DIY-astrobiology experiment, an attempt to breed a strain of fruit fly that could survive on Titan, Saturn’s largest moon, is documented in The Quest for Drosophila Titanus. Gracie discussed his process with New Scientist, and the broader ideas he is exploring in the work. He explained his aim to set up “a metaphorical, speculative artistic project by following a completely rigorously scientific process”. As well, his experiment raises questions about what we will consider to be the “right stuff” for future star travellers.

We Colonised the Moon, Enter at Own Risk. Photo: Drew Hemment

Artist duo We Colonised the Moon’s work Enter At Own Risk is an installation and performance piece, with a slightly sinister Apollo astronaut working away spraying rocks with a specially synthesised smell of the moon, commissioned by the artists Hagen Betzwieser and Sue Corke from industrial chemists. Astronaut Charlie Duke likened the smell of the moon to gunpowder (although I prefer cosmonaut Sergei Krikalev’s description of the smell of space which he said “smelled like two stones being struck together”).

At the artists’ breakfast event yesterday morning, attended by all the artists (with the sole exception of Houkema), American-born Lijn and Russian-born Tishkov called for the artists to issue a manifesto on the future of the moon, reclaiming it from the aspirations of privatisers or the military, since the major space-faring nations – including the US, UK, EU, Russia, China, Japan and India – have so far refused to sign up to the UN’s protective Moon Treaty.

This may be a ‘romantic’ exhibition, as a member of audience said, but as all the artists said without hesitation that they would travel to the moon given the opportunity, this is a romantic imaginary that embraces space technology and exploration.

‘Republic of the Moon’ runs until 26 February at FACT, Liverpool. Commissioned and curated by The Arts Catalyst and FACT.

Republic of the Moon opens in Liverpool 16 December

Agnes Meyer-Brandis, We Colonised the Moon, Andy Gracie, Leonid Tishkov, Liliane Lijn, Sharon Houkema

FACT, Wood Street, Liverpool
16 December 2011 – 26 February 2012
Open daily (except 24-26 December). Admission free.

As the players in the new 21st century race for the Moon line up – the USA rejoining China, India and Russia and jostling with private corporations interested in exploiting the Moon’s resources – a group of artists are declaring a Republic of the Moon: a ‘micronation’ for alternative visions of lunar life.

The Arts Catalyst and FACT’s new exhibition ‘Republic of the Moon’ challenges utilitarian plans of lunar mines and military bases with artists’ imaginings and interventions. Combining beguiling fantasies, personal encounters, and playful appropriations of space habitats and scientific technologies, Republic of the Moon reclaims the Moon for artists, idealists, and dreamers.

The last race to the Moon was driven by the political impulses of the Cold War, but shaped by extraordinary visions of space created by writers, film-makers, and artists, from Jules Verne, Lucien Rudaux, and Vasily Levshin, to HG Wells, Stanislav Lem and Stanley Kubrick. Can artists’ quixotic visions reconcile our romantic notions of the Moon with its colonised future, and help us to reimagine our relationship with our natural satellite in the new space age?

Curated by The Arts Catalyst and FACT, Republic of the Moon includes major new commissions by Agnes Meyer-Brandis and We Colonised the Moon, and works by Leonid Tishkov, Andy Gracie, Liliane Lijn and Sharon Houkema.

Exhibition webpage

Breakfast with the artists and curators
Friday 16 December, 10.30-12noon, The Box, FACT, Liverpool
Artists Agnes Meyer-Brandis, Leonid Tishkov and Andy Gracie discuss their work with curator Rob La Frenais and FACT’s Mike Stubbs.

man on top of an urban building at  night with his Personal Moon by Leonid Tishkov  portraits of the eleven Moon Geese with their astronaut inspired names  photograph of the projection of the word SHE on the Moon by Liliane Lijnphoto of two Drosophila Titanus flies in front of the moon  artist out on a lake with his private moon, Leonid Tishkov  seated astronaut

Top: Agnes Meyer-Brandis, Moon Goose Experiment, 2010

Bottom (L-R, top to bottom): Leonard Tishkov, Personal Moon, Agnes Meyer-Brandis, Moon Goose Experiment, Liliane Lijn, moonmeme, Andy Gracie, The Quest for Drosophila Titanus, Leonard Tishkov, Personal Moon, We Colonised the Moon, Enter At Own Risk (prototypes & experiments)

Biorama 2: troglodites to thrombolites

Peak Cavern, setting for Biorama 2

Having thoroughly decompressed from our Eye of the Storm conference at Tate in my own way, I proceeded to Huddersfield, and thence by swinging careering coach drive across the Pennines to Castleton for the marvelous Biorama 2, a media art event in a cavern, organised by the University of Huddersfield (Derek Hales) and artist Andy Gracie.

Biorama 2 took place in the vast Peak Cavern, the entrance to a 30 km cave system. The event explored the biology of the underground through the notion of ‘umwelt’ through a series of talks, discussions, workshops and expeditions into the cave system. I couldn’t make the workshops which took place in Huddersfield on the Wednesday and Friday, but I joined the group for the outing to Peak Cavern and a terrific day of presentations, performance and cave exploration.

The meeting took place inside the cave,  an AV system set up in this most unlikely setting. The speakers were artists Oron Catts, Agnes Meyer-Brandis,Antony Hall and Andy Gracie, curator Ulla Taipale, and microbiologist Paul Humphreys who started the day with a fascinating talk on extremophile bacteria.

Andy Gracie gave the rundown on some historical theories about the structure of the Earth, as well as Admiral Byrd’s speculated 1947 discovery of the entrance at the north poles into the hollow earth. He also explained Jakob von Uexkull‘s theory of ‘umwelt’, an organism’s perception of its environment, and its influence on the development of biosemiotics by Thomas Sebeok.

Agnes Meyer Brandis introduced some of her recent work. Agnes inhabits a world of enchantment, weaving tales of magic and myth from her journeys and explorations. In her Moon Goose Experiment (2008), Agnes traveled to Siberia for a total solar eclipse to recreate Francis Goodwin’s story of a man who flies to the moon attached to a flock of moon geese. She also spoke about her glacier studies in Argentina and recent meteorite watching event in Russia.

After a short trip from the chilly cave down into the village for coffee and cake and to warm our bones, Oron Catts gave a talk about SymbioticA’s latest project ‘Adaptation’, a developing programme of artist residencies and events opening up discussion around the competing interests surrounding Lake Clifton, home to the largest lake-bound thrombolite reef in the southern hemisphere. Thrombolites, or ‘living rocks’, are built by micro-organisms.

The day finished with a great sound installation by Joe Gilmore in a deep cavern, echoing frequencies bouncing off the cave walls. Left to our own devices by the people who usually police the cavern most contientiously to ensure the safety of visitors, we scrambled up the cavern sides and down tunnels, in unsuitable shoes, trying to avoid the sheer drops.

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