Republic of the Moon opens in Liverpool 16 December
Agnes Meyer-Brandis, We Colonised the Moon, Andy Gracie, Leonid Tishkov, Liliane Lijn, Sharon Houkema FACT, Wood Street, Liverpool 16 December
Art, Science, Technology & Society
Agnes Meyer-Brandis, We Colonised the Moon, Andy Gracie, Leonid Tishkov, Liliane Lijn, Sharon Houkema FACT, Wood Street, Liverpool 16 December
At The Arts Catalyst, the team is looking forward to the opening of our latest commission, Rachel Mayeri’s Primate Cinema:
The winners of the Arctic Perspective Initiative open architecture competition are announced. Three architects – Richard Carbonnier (Canada), Giuseppe Mecca (Italy), and Catherine Rannou (France) – have
I was rather busy chairing sessions on the last afternoon of Less Remote to give a further report and then
I returned last week from a week in Iceland, where I was judging the architecture competition for an Arctic mobile media-centric work
How do humans and animals relate to each other? In The Arts Catalyst’s forthcoming Interspecies exhibition and event, seven international artists
Make your own plutonium Our Nuclear Forum at the RSA, part of our final weekend for the Nuclear: art &
Joanna Griffin’s Satellite Stories with the scientists of Mullard Space Science Laboratory was a very special event. Perched on a hill overlooking rolling downs,
Yesterday evening, we had some excellent examples presented of ‘cultural utilisation’ of space, notably Marko Peljhan reported on the development
This afternoon, Less Remote has explored radically new ideas about the future of our relationship to space. Artist Tomas Saraceno presented
The Less Remote symposium is under way at the International Astronautical Congress in Glasgow, with the first session ‘The Introspective
The Arts Catalyst team spent a very cold day in a dilapidated, darkened office suite in Liverpool on Saturday, processing
LESS REMOTE The Futures of Space Exploration: an Arts & Humanities Symposium 30 September – 1 October 2008 International Astronautical
Last night we launched Aleksandra Mir’s limited edition calendar for 2008, which documents the construction and dismantling of her spectacular