And Say the Animal Responded?
And Say the Animal Responded? was the first large-scale show I curated for FACT Liverpool after joining as Director in
Tag: technology
Revisiting Fukushima: responses to an ongoing disaster
I visited Fukushima in 2014. Fukushima. The word – like Chernobyl or Three Mile Island – is synonymous with nuclear
New book: ARIEL GUZIK – HOLOTURIAN
Arts Catalyst recently published this small publication to mark the planned launch of Ariel Guzik’s Holoturian in the Gulf of California in
Acronyms, bat caves and sentient architecture: February update from Washington DC
So here I am, back in Washington DC on Super Tuesday (writing this the day before I post), observing a
Arts Catalyst’s new Centre for Art, Science and Technology opens in London
I’ve been back in the UK for the opening of Arts Catalyst’s new Centre for Art, Science and Technology in King’s
Nuclear culture in Japan. Pt 2: Road trip through Fukushima exclusion zone
After my lecture at the Actinium nuclear forum in Sapporo, a group of us (Arts Catalyst team and artists with
Nuclear culture in Japan. Part 1: Actinium programme, Sapporo, Hokkaido
I’ve been in Japan for Arts Catalyst’s Actinium exhibition and forum, part of an ongoing partnership between The Arts Catalyst
Fracking futures – HeHe’s experimental drilling cuts out the middle man
As David Koch – the wealthy industrialist whose company is responsible for the dumping of a three-storey high city block
Beatriz da Costa 1974-2012
The artist Beatriz da Costa lost her long, fierce battle with cancer on the evening of 27 December 2012, at
Transformism: new works by Melanie Jackson and Revital Cohen
In ‘Transformism’, the Arts Catalyst’s latest exhibition which has just opened at the John Hansard Gallery, Southampton, Melanie Jackson and
Some responses to War at the speed of light …
A couple of recent interesting blog posts have picked up on my War at the Speed of Light: artists and drone
War at the speed of light: artists and drone warfare
“We call it in, and we’re given all the clearances that are necessary, all the approvals and everything else, and
Machine wilderness: personal highlights from ISEA2012 Albuquerque
This is a snapshot of personal highlights from ISEA2012 Albuquerque: Machine Wilderness. ISEA (the International Symposium on Electronic Arts) is an international
Soundings and transitions: Mexico
I returned last week from the Transitio_mx, a festival of electronic and media art in Mexico City, in which I gave
Open sourcing the Arctic
I returned last week from a week in Iceland, where I was judging the architecture competition for an Arctic mobile media-centric work
Nicola Triscott 