Aerocene – flight without borders
In the dunes of White Sands desert, on Sunday 8th November 2015, for the first time in the world,
Category: Reviews
Exploring the border of art and space: the “territory of the imagination”
I have spent the last few days with a very special group of people in El Paso, Texas, on the
High Energy Interactions: how to be an artist at CERN
“How can an artist make relevant art if he doesn’t know anything about relevant science?” – Julius von Bismarck, artist
War at the speed of light: artists and drone warfare
“We call it in, and we’re given all the clearances that are necessary, all the approvals and everything else, and
Machine wilderness: personal highlights from ISEA2012 Albuquerque
This is a snapshot of personal highlights from ISEA2012 Albuquerque: Machine Wilderness. ISEA (the International Symposium on Electronic Arts) is an international
Bionic people: enhancement, bioethics and the politics of disability
Two current exhibitions, a workshop we recently organised at DaDaFest, and the ongoing controversy around “bladerunner” Oscar Pistorius’ inclusion in
Ruins, conflict, culture and science: dOCUMENTA (13)
Many adjectives have already been wielded to describe this year’s documenta, “earnest”, “grim”, “despondent” and “concept-less” among them. Certainly, there
AV Festival: unfolding installations, incremental car crashes and unhurried soundscapes
I had 24 hours of frantic slowness at the terrific AV festival last weekend. This year, the theme of this excellent festival of
Fringe technology and grey science (thoughts on the Samsung Art+ Prize)
The UK might be thought rather tardy in recognising the digital arts, given that the Samsung Art+ prize claims to
Lunar dreamers: occupy the moon!
In Tony White’s new short story, Occupy the Moon, commissioned by The Arts Catalyst to mark the opening of our
Abnormal
Ju Gosling’s exhibition ‘Abnormal’ is at the National Institute for Medical Research (NIMR) at Mill Hill in North London until the end
Blue Secretions
Last night I attended the opening of sk-interfaces, curator Jen Hauser’s exhibition at FACT in Liverpool. It worked well in FACT’s
Nicola Triscott 