Art in the age of “big data”
I’m currently at ISEA2012, the 18th International Symposium on Electronic Art, a six-day international conference, this year taking place
Art, Science, Technology & Society
I’m currently at ISEA2012, the 18th International Symposium on Electronic Art, a six-day international conference, this year taking place
Two current exhibitions, a workshop we recently organised at DaDaFest, and the ongoing controversy around “bladerunner” Oscar Pistorius’ inclusion in
“If we combine the Z-Z and the Gamma-Gamma,this is what we get: they line up extremely well, and in the
Many adjectives have already been wielded to describe this year’s documenta, “earnest”, “grim”, “despondent” and “concept-less” among them. Certainly, there
Why do I like Rob Kesseler’s work? At first glance, his highly detailed, colour-enhanced micrographs of pollen, seeds, fruit and
Last week, I went to Curious Directive’s show Your Last Breath. Curious Directive create devised theatre works incorporating scientific ideas,
I was in Paris earlier this month at the International Astronautical Federation (IAF)’s spring meeting, chairing a meeting of the
I had 24 hours of frantic slowness at the terrific AV festival last weekend. This year, the theme of this excellent festival of
Last week I attended the London Citizen Cyberscience Summit with Lisa Haskel, Arts Catalyst’s resident research engineer, to catch up
* arts/science, in this context only, implies art that needs or would value science ethics expertise Following from the artist-initiated
Recently, I took part in a round table discussion on the use of human remains in art. The discussion participants
Self-Experimentation and the Ethics Committee of 1 A report on the event ‘Trust Me, I’m an Artist: Towards an Ethics
‘Terra Infirma – experimenting with geo-political practices ’ was an academic workshop which was held in The Arts Catalyst’s Clerkenwell space.
Postscript (29.1.2012): Grateful thanks to those kind people who have revised our wikpedia entry so that it is no longer
The UK might be thought rather tardy in recognising the digital arts, given that the Samsung Art+ prize claims to